Thomas Nast and Civil War Christmas
By Niles Anderegg
Thomas Nast, perhaps the most famous of 19th Century political cartoonists, has left his mark on both American politics and popular culture. It is because of Nast that we have the donkey and the elephants as symbols for the two major political parties in the United States, it is because of Nast that we have a goateed Uncle Sam, and it is because of Nast that we have the modern Santa Claus.
Santa Claus before Nast was a tall, thin man; it is Nast who made him the fat, jolly, bearded man that we have today. For Nast, Santa was something of a propaganda tool. In his famous Christmas scene, which appeared in the January 3, 1863, issue of Harper’s Weekly, Santa, in his first appearance in a Nast cartoon, is shown entertaining Union troops by hanging Jeff Davis in effigy. But not all of Nast’s Christmas work was overt propaganda. He also shows that even in the midst of the war, there was still some joy to be found in the Christmas holiday. In the far background of this drawing, some soldiers are chasing what appears to be a wild boar, perfect for Christmas dinner, while others play games, including the time honored medieval sport of climbing atop a greased pole to claim a prize. The drummer boys in the foreground, surprised by the jack in the box, tells us that children are in this war, too. In other Christmas cartoons, he reminded readers of the harsh reality of Christmas during wartime, especially the separation of soldiers from their loved ones. Nast’s work in support of the Union cause was considered highly successful; in fact, it is said that even President Lincoln appreciated the artist’s work–he supposedly commented, “Thomas Nast has been our best recruiting sergeant. His emblematic cartoons have never failed to arouse enthusiasm and patriotism, and have always seemed to come just when these articles were getting scarce.”
Although Thomas Nast is most famous for his political cartoons, he also drew images of current events, such as Lincoln’s first inauguration in 1861, which we at President Lincoln’s Cottage have as part of our current special exhibit, The Seat of War.
Image Credit: © Son of the South Material